{"id":3798,"date":"2026-07-13T15:19:21","date_gmt":"2026-07-13T15:19:21","guid":{"rendered":"https:\/\/francoperrotti.com\/2026-milan-from-object-to-vision\/"},"modified":"2026-07-13T15:52:52","modified_gmt":"2026-07-13T15:52:52","slug":"2026-milan-from-object-to-vision","status":"publish","type":"page","link":"https:\/\/francoperrotti.com\/en\/2026-milan-from-object-to-vision\/","title":{"rendered":"2026 MILAN FROM OBJECT TO VISION"},"content":{"rendered":"\n
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FRANCO PERROTTIFROM OBJECTTO VISION<\/strong><\/p>\n\n\n\n

APRIL 20 – MAY 3, 2026MYOWNGALLERY, SUPERSTUDIO PI\u00d9VIA TORTONA 27 MILANCurated by Fortunato D’Amico<\/strong>DESIGN FOR PEACE<\/p>\n\n\n\n

Under the patronage of Segretariato Permanente dei Premi Nobel per la PaceALA<\/strong> – ASSOARCHITETTI & INGEGNERIIn collaboration withNESITE<\/strong><\/p>\n\n\n\n

QUADRUSLIGHTBRONDELLOERMINIO<\/strong><\/p>\n\n\n\n

The artistic objects displayed in the exhibition From Object to Vision<\/strong> by FrancoPerrotti<\/strong>, curated by Fortunato D\u2019Amico,<\/strong> belong to a system whereserial production integrates with artisanal practice and activates a newcondition of individual and collective meaning. The object takes on adifferent dimension of communication, enhancement, and relationship with the user,articulating a continuity between use, perception, and responsibility. It is an objectiveand cultural landscape that makes the balanced relationship existingbetween artifice and nature tangible and documents the possible transmutation of the productionprocess into a conscious experience with the emergence of a newcondition of aesthetic expression. From Object to Vision <\/strong>traces a progressive shift that occurs from matterto vision, from technical structure to environmental consciousness,from the project to the living condition of space.Raised floors, seating, modular surfaces, lighting systems and fixtures,and construction components reach a dimension of vision throughthe use activated by the artist. The physical device transcends its operational function and isconfigured as an element of relationship between body, environment, and behaviorcollective. In the project of invention and creation of artifices, nature is forFranco Perrotti an ecosystem of relationships between form, matter, and human resources,with tangible effects on social behavior and the protection of biodiversity.In this context of meanings and signifiers, the work Dissuader occupiesa central position in the critical construction of the exhibition. Elevated fromthe ground and placed in the Piazza dell\u2019Arte at Superstudio Pi\u00f9, the sculpturemetallic depicting a pigeon pierced by nails and spikes, makes explicit thetransition from the project to the social dimension of public space. The monumental Dissuader<\/strong>, suspended in the void and conceived to preventbirds from perching in urban spaces, is the icon that reveals the patterns ofinterdiction spread on a global scale that affect human coexistenceand the relationships exercised through the power of things and their presence.In a contemporary sky anthropized by the proliferation of satellitesand drones, the work transforms the project into vision and awareness, and thenature of things into shared responsibility. Access, permanence, andpassage appear as a status of being regulated by materialand symbolic structures and witness the expressive power that the pathof form activates in the micro and macro scenarios of domestic andterritorial habitats. Visible and invisible forms and materials suggest behaviors,movements, approaches, and distances in collective space.Franco Perrotti\u2019s art is a compass that guides coexistence and common life,indicating a conscious practice of inhabiting and an ethics of the useof space that concerns each of us. <\/p>\n<\/div>\n\n\n\n

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