{"id":3315,"date":"2025-10-02T10:12:48","date_gmt":"2025-10-02T10:12:48","guid":{"rendered":"https:\/\/francoperrotti.com\/2021-symbols-iconic-ruins-athens\/"},"modified":"2026-01-26T11:39:01","modified_gmt":"2026-01-26T11:39:01","slug":"2021-symbols-iconic-ruins-athens","status":"publish","type":"page","link":"https:\/\/francoperrotti.com\/en\/2021-symbols-iconic-ruins-athens\/","title":{"rendered":"2021 SYMBOLS &amp; ICONIC RUINS, ATHENS"},"content":{"rendered":"\n<div class=\"wp-block-cover alignfull is-light\" style=\"min-height:642px;aspect-ratio:unset;\"><video class=\"wp-block-cover__video-background intrinsic-ignore\" autoplay muted loop playsinline src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/Dissuader-Atene.mp4\" data-object-fit=\"cover\"><\/video><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-20 has-background-dim\" style=\"background-color:#FFF\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-text-color has-link-color has-rubik-font-family wp-elements-4cc2c71c1d36e69f62a44959a68b6a04 wp-block-paragraph\" style=\"color:#ffffff;font-size:clamp(2.835rem, 2.835rem + ((1vw - 0.2rem) * 4.442), 5.5rem);\">SYMBOLS &amp; ICONIC RUINS<\/p>\n<\/div><\/div>\n\n<div class=\"wp-block-group alignfull has-background has-global-padding is-layout-constrained wp-container-core-group-is-layout-eb95d17d wp-block-group-is-layout-constrained\" id=\"galleria\" style=\"background-color:#b2aaaa;margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--60);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--30)\">\n<p class=\"has-jost-font-family wp-block-paragraph\" style=\"font-size:clamp(1.453rem, 1.453rem + ((1vw - 0.2rem) * 1.578), 2.4rem);line-height:1.3\">NATIONAL MUSEUM OF CONTEMPORARY ARTS<br\/>ATHENS 2021 <\/p>\n\n\n\n<p class=\"has-jost-font-family wp-block-paragraph\" style=\"font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.708), 1.3rem);\">In the still silence of early morning, the only sound is the creaking of crumbling shutters being opened. In an instant, with a flutter of wings, a flock of pigeons, until then nestled on the eaves of surrounding buildings, dives like a remote-controlled squadron into the main apartment of one of the villas overlooking the square. It is breakfast time and the birds are preparing. Shortly after, when they are satisfied, they exit from the opposite balcony, drawing an arc in the opposite direction before finally dispersing. The pigeon occupies an undefined position in the varied history of humanity. Sometimes it appears in art, half-dead in the midst of a still life. From Noah&#8217;s Ark, no pigeon took flight in the biblical flood&#8230; the raven and the dove did, but never the pigeons&#8230; there must be a reason. The artist imagines the pigeon as a huge urban idol, constructed with wire studded with nails, the same wire used to keep pigeons away from roofs and eaves, provoking in people a comical and paradoxical disgust. A metaphor for a certain humanity devoted to a petty, intrusive, defeatist, oppressive, and dull life. A modest eater of others&#8217; crumbs and scraps, the pigeon represents the renunciation of greatness in exchange for prepackaged tranquility. A life in which every pain, every predator, every ambition has been minimized, thriving in an artificial absence of natural selection. A bird shaped like a bubble, but with a spirit level that aligns downward. <\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full ext-aspect-landscape extendify-image-import\"><img loading=\"lazy\" decoding=\"async\" width=\"723\" height=\"1145\" data-id=\"1547\" src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181810.jpg\" alt=\"\" class=\"wp-image-1547\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181810.jpg 723w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181810-189x300.jpg 189w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181810-647x1024.jpg 647w\" sizes=\"auto, (max-width: 723px) 100vw, 723px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"787\" height=\"1053\" data-id=\"1545\" src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_183224.jpg\" alt=\"\" class=\"wp-image-1545\" srcset=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_183224.jpg 787w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_183224-224x300.jpg 224w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_183224-765x1024.jpg 765w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_183224-768x1028.jpg 768w\" sizes=\"auto, (max-width: 787px) 100vw, 787px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"593\" height=\"1056\" data-id=\"1541\" src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181056.jpg\" alt=\"\" class=\"wp-image-1541\" srcset=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181056.jpg 593w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181056-168x300.jpg 168w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_181056-575x1024.jpg 575w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-foreground-color has-text-color has-link-color has-jost-font-family wp-elements-1b9744978de4b3e03e0410c4045b0fa0 wp-block-paragraph\" style=\"font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.708), 1.3rem);\">The exhibition SYMBOLS &amp; Iconic Ruins is an attempt to create a synthesis of different versions of the concept of the symbol, through elective affinities and common characteristics, regardless of whether the sources and production processes of the symbols differ radically from one another.<br\/>In addition to individual works, which reflect and comment on the relationship between artistic and architectural creation and symbols, the main body of the exhibition presents three distinct and interconnected elements &#8211; the Acropolis of Athens, the post-war architectural production of Central Europe, and references to the Berlin Wall &#8211; with the intent of promoting a singular dialogue between various ruins that have current symbolic value.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-id=\"1536\" src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046-1024x576.jpg\" alt=\"\" class=\"wp-image-1536\" srcset=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046-1024x576.jpg 1024w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046-300x169.jpg 300w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046-768x432.jpg 768w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046-1536x864.jpg 1536w, https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/20210716_123046.jpg 1572w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<div class=\"wp-block-cover alignfull is-light\" style=\"min-height:128px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-0 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<div class=\"wp-block-group alignwide has-background is-vertical is-content-justification-center is-layout-flex wp-container-core-group-is-layout-bf55b38f wp-block-group-is-layout-flex\" style=\"background-color:#ded5d500\">\n<div class=\"wp-block-group alignwide has-global-padding is-content-justification-left is-layout-constrained wp-container-core-group-is-layout-4b0a74aa wp-block-group-is-layout-constrained\">\n<h6 class=\"wp-block-heading has-text-align-left has-jost-font-family has-medium-font-size\" style=\"line-height:1.6\">&#8220;The dissuader is a thought, a reflection, a metaphor.<br\/>I would like it to be a scream. <br\/>As time goes by, the world is increasingly saturated with fences, <br\/>obstacles, walls, guards, and patrol boats. <br\/>Yet, we had moved past Woodstock and the dream was different.&#8221;<\/h6>\n\n\n\n<p class=\"has-text-align-left has-jost-font-family has-medium-font-size wp-block-paragraph\">FRANCO PERROTTI<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-video alignwide\"><video height=\"360\" style=\"aspect-ratio: 640 \/ 360;\" width=\"640\" controls=\"\" loop=\"\" poster=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-26-alle-09.44.08.png\" src=\"https:\/\/francoperrotti.com\/wp-content\/uploads\/2025\/10\/Border.mov\"><\/video><\/figure>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>NATIONAL MUSEUM OF CONTEMPORARY ARTSATHENS 2021 In the still silence of early morning, the only sound is the creaking of crumbling shutters being opened. In an instant, with a flutter of wings, a flock of pigeons, until then nestled on the eaves of surrounding buildings, dives like a remote-controlled squadron into the main apartment of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-with-title","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-3315","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"SYMBOLS &amp; ICONIC RUINS NATIONAL MUSEUM OF CONTEMPORARY ARTSATHENS 2021 In the still silence of early morning, the only sound is the creaking of crumbling shutters being opened. 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